Musical Instruments
The keyboard repertoire comprises one third of the whole of Western music. The very instruments chosen by composers themselves form the heart of The Cobbe Collection at Hatchlands. The eighteen owned or played by Purcell, Johann Christian Bach, Mozart, Haydn, Beethoven, Chopin, Mahler and Elgar, to name a few, are the largest group assembled anywhere of these tangible and audible relics connecting with the musical minds of the past. The collection otherwise comprises a further twenty or so instruments that were chosen to represent instrument-makers who were highly regarded or patronised by composers, all maintained in playing order. Here you can learn more and listen to each instrument. The music examples are played by David Owen Norris, Oliver Davies, Sam Haywood and Alec Cobbe.
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RUSSIAN GRAND PIANO
by Jakob Becker, St Petersburg, c.1886-7. Belonged to Sir Percy Hull Continue reading
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ENGLISH HARPSICHORD
by Jacob & Abraham Kirkman, London, 1781 Continue reading
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SAXON HARPSICHORD
by Ferdinand Weber, London, 1746 Continue reading
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ITALIAN HARPSICHORD
attributed to Girolamo Zenti, Viterbo, signed GZ 1622 Continue reading
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ENGLISH HARPSICHORD
Dated 1623 but mostly dating from c. 1720 Continue reading
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FLEMISH HARPSICHORD
by Andreas Ruckers, Antwerp, 1636. Ravalement by Henri Hemsch, Paris, 1763 Continue reading
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KING CHARLES II’s VIRGINALS
by John Player, London, 1664 Continue reading
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CHAMBER ORGAN
by John Snetzler, London, 1759 Continue reading
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ENGLISH PIANO
by Johannes Zumpe and Gabriel Buntebart, London, 1769 Continue reading
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SPANISH OR PORTUGUESE CLAVICHORD
unknown maker c. 1750-75 Continue reading
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JOHANN CHRISTIAN BACH’S PIANO
by Johannes Zumpe & Gabriel Buntebart, London, 1777-78 Continue reading
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SAXON SPINET
by Ferdinand Weber, Dublin, 1780 Continue reading
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IRISH PIANO
in the form of a metamorphic half-moon table by William Southwell, Dublin c. 1785 Continue reading
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SAXON CLAVICHORD
by Christian Gotthelf Hoffmann, Ronneburg, 1784 Continue reading
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MARIE ANTOINETTE’S PIANO
by Sébastien Erard, Paris, 1786-87 Continue reading
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ENGLISH PIANO
by Longman & Broderip, London, c. 1789 Continue reading
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GRAND PIANO WARRANTED BY DIBDIN
by Crang Hancock, London, c. 1790 Continue reading
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VIENNESE GRAND PIANO
circle of Johann Andreas Stein, Vienna, C.1790 Continue reading
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IRISH PIANO
by William Southwell, Dublin, c. 1793-94 with a compass of 5½ octaves Continue reading
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ENGLISH PIANO
by John Bland, London, 1794 Continue reading
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HAYDN’S GRAND PIANO
by Longman & Broderip, London, 1794-95 with a compass of 5½ octaves Continue reading
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ENGLISH GRAND PIANO
by Longman & Broderip, London, c. 1795 with a compass of 5½ octaves. Continue reading
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ENGLISH PIANO
by John Broadwood and Son, London, 1795 Continue reading
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VIENNESE GRAND PIANO
by Anton Walter and Son, Vienna, c. 1815 Continue reading
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CRAMER’S GRAND PIANO
by John Broadwood and Sons, London, 1816 Performed upon and signed by J.B. Cramer Continue reading
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VIENNESE GRAND PIANO
by Conrad Graf, Vienna, c. 1819-20, with quadruple stringing Continue reading
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GEORGE IV’S GRAND PIANO
by Nannette Streicher, Vienna, 1823 Continue reading
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MAHLER’S GRAND PIANO
by Conrad Graf, Vienna, c. 1836 Continue reading
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JANE STIRLING’S GRAND PIANO
by Erard, London, 1843
Possibly given to Chopin in 1848 Continue reading -
ELGAR’S PIANO
by John Broadwood and Sons, London, 1844 Continue reading
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LADY JOHN SCOTT’S GRAND PIANO
by Erard, Paris, 1845. Performed upon by Thalberg Continue reading
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CHOPIN’S ‘OWN’ GRAND PIANO
No. 13819, by Pleyel & Compagnie, Paris, 1848 Continue reading
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CHOPIN’S ENGLISH GRAND PIANO
by John Broadwood & Sons, London, 1847 Chosen by Chopin for his English recitals Continue reading
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AMERICAN GRAND PIANO
by Steinway, New York, c. 1864 Continue reading
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LISZT’S ITALIAN UPRIGHT PIANO
by Carlo Ducci, Florence, between 1873 and 1886 Continue reading
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ORGAN
by J.W. Walker & Sons Ltd., London, 1903 Continue reading
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BIZET’S COMPOSING TABLE PIANO
by Roller of Paris, 1855 Continue reading
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SAXON PIANO
by Ferdinand Weber, Dublin, 1774 Continue reading