The Cobbe Collection of historic
keyboard instruments includes the largest group of instruments
owned or played by famous composers to be seen together anywhere in the
world.
What is especially magical is that
the collection is maintained in playing order to allow
artists and audiences to experience the sounds that inspired composers.
Instrument
12: Haydn's piano,
Longman & Broderip.
Instrument 11: Detail of Grand
pianoforte by Crang Hancock.
Keeping
instruments in playing order is an expensive business. This is partly
why most museums do not attempt to do it. We feel that it is vital
that the Cobbe Collection continues with this ideal. In 2010 our
main support from a generous benefactor came to an end. For this
reason we have drawn up a scheme. Adopt an Instrument invites you
to underwrite the maintenance and tuning of a particular instrument
for one or more years.
If you should decide to take part
in this scheme, your adopted instrument will be displayed to the
public with a notice stating that you have supported its maintenance.You
will receive a complimentary pair of tickets to a concert of your
choice (subject to availability). Your name will appear as the adopter
of the instrument in the following published list of concerts and
in the programme of any concert in which it is used.
The Chopin Society, London, has
adopted the maintenance of Chopin’s Pleyel piano for the coming
year.
The annual cost of maintaining
each keyboard varies from instrument to instrument. This is partly
dependent on intrinsic qualities of the instrument itself and also
on the number of times it is used for concerts.
In addition to the maintenance costs, three of
our instruments require major restoration, for which we urgently
need support. These include the ‘1623’ early English
harpsichord, which is currently in mid-restoration and requires
£7,500 to complete; other instruments needing restoration
are the Grand Piano by Erard Frères, Paris, 1819 (estimated
at £20,000-30,000) and the square piano by Longman and Broderip,
1791 (estimated at £5,000-8,000).
Detail of the Ruckers-Hemsch
soundboard decoration
Annual
Maintenance Estimates
Harpsichord attributed to Girolamo Zenti, Viterbo, c. 1622,
the earliest instrument in the collection. £700
Harpsichord by Andreas Ruckers, Antwerp, 1636, ravalement by
Henri Hemsch, Paris. This instrument is the equivalent of a
Stradivarius but more rare. £1000
King
Charles II’s Virginals, by John Player, London, 1664, maintained by Henry
Purcell. £700
Chamber Organ by John Snetzler, 1759, a maker patronised by Handel. £300
Square Piano by Johannes Zumpe and Gabriel Buntebart, London,
1769, the earliest piano in the collection. Adopted by a private donor£300
Johann
Christian Bach’s piano - played by Mozart,
Johannes Zumpe and Gabriel Buntebart, London, 1777-78, signed
by Bach on the soundboard. £1400
Clavichord
by Christian Gotthelf Hoffmann, Ronneburg, 1784, a rare Saxon
instrument such as J.S. Bach and his family would have used. Adopted by a private donor £600
Marie
Antoinette’s Piano, Sébastien Erard, Paris, 1787. £1100
Double Manual Harpsichord by Burkat Shudi and John Broadwood,
London, 1787. £1100
Grand Piano by a pupil of Johann Andreas Stein, a maker
favoured by Mozart, c. 1790. £1200
Grand
Piano by Crang Hancock, London, c. 1790,
‘Warranted by Mr Dibdin’;
its restoration was enabled by a generous grant from Baroness
Thatcher. £600
Haydn’s Piano Longman & Broderip, London, c. 1795. £2000
Grand Piano by Longman & Broderip, London, c. 1795. £600
Grand Piano by Anton Walter and Son, Vienna, c. 1815, maker
patronised by Mozart and
known by Schubert. £700
Grand Piano by John Broadwood and Son, London 1816, used and
signed by J.B. Cramer. £800
Grand Piano by Conrad Graf, Vienna, c. 1819-20, one of only
four Graf instrument with quadruple stringing, one of them Beethoven’s. £700
George
IV’s Grand Piano by Nanette Streicher, Vienna, 1823. On
long-term loan from the Royal Collection. £1100
Mahler’s Grand Piano by Conrad Graf, Vienna, c. 1836, acquired from the
composer’s granddaughter. £700
Elgar’s Piano by John Broadwood and Sons, London, 1844. Reserved for the Elgar Society£400
Grand Piano by Erard, Paris, 1845, signed by Sigismond Thalberg. £400
Chopin’s Pleyel, Paris, 1848. Adopted by the Chopin Society, London £2000
Chopin’s Broadwood he used for his English concerts in 1848. £1100
Bizet’s composing table Piano by Roller of Paris, 1855. £400
Grand Piano by Steinway, New York, c. 1864. £900
Instrument 8 (left): Marie Antoinette's square pianoforte.
Instrument 3 (right): King Charles II Virginals detail.